“The Monkees Probably Should Have Been Arrested”
The 6th episode, “Success Story” had an emotional story-line compared to other episodes and was also the first to feature a Monkees family member. There was an unusually stereotypical situation-comedy feel with a character getting in trouble for deceiving a loved one. I wasn’t really looking forward to writing about this one, but as I watched I rediscovered a lot of funny moments.
One of the elements creating the mood was the incidental music, composed by Stu Phillips, which expresses the sensitive nature of this episode. Mr. Phillips began composing for movies and television in 1958 and was the founder of Colpix Records (a label that signed Michael Nesmith and Davy Jones as solo artists before they were cast on the show, and later became Colgems). Phillips’ music can be heard in 54 of the 58 Monkees episodes. He’s known for his work on Quincy, M.E., Knight Rider, and many other television shows and films, including two of my favorite Sci-Fi shows from childhood, Battlestar Galactica and Buck Rogers in the 25th Century.
“Success Story” debuted October 17, 1966 on NBC. Oddly, the writing/directing credits run at the start of the episode instead of the usual spot after the opening theme and they are as follows: Written by Gerald Gardner & Dee Caruso and Bernie Orenstein, Directed by James Frawley.
The Monkees play cards with Mr. Schneider, who gets his first line, paraphrasing George Bernard Shaw: “It’s a shame to waste youth on children.” The plot kicks off with Davy receiving a telegram from his grandfather who’s coming to visit. Davy’s distressed because he’s been lying to him about being rich and successful. Micky selfishly (and amusingly) tells Davy it’s his problem. Davy explains that when his grandfather finds out the truth, he’ll have to leave the band. Meanwhile, the telegram man is trying to shake down Mr. Schneider for $1.80 for the collect telegram.
Mike suggests they make Davy “look” rich and so begins a series of scenes where the Monkees steal the appropriate costumes and props. Usually they just quick-change into disguises, but in this episode we see how they acquire their costumes. Micky swipes a Rolls Royce by tricking the owner into letting him “exercise” his car. Micky’s character is mechanically inclined, maybe echoing the real-life fact that Micky Dolenz worked as a mechanic for Mercedes Benz in 1964.
Mike appropriates a chef’s costume by getting hired and immediately fired as a chef, complete with a cute look to the camera when he gets away with it. The kitchen is the same set from the later “Monkees a La Carte” episode. Micky acquires a fake chauffeur’s costume by convincing the telegram man to switch clothes with him, so he can demonstrate how to get the $1.80 from Mr. Schneider.
Peter approaches an ice cream cart. In a very Harpo Marx way, he gets the ice cream seller’s jacket without even speaking. This impresses me, but not as much as the weirdness that follows: The now topless ice cream man is suddenly stampeded with men in suits, demanding ice cream as though his bare chest made everyone hot and hungry. Charlie Callas has funny, exaggerated facial expressions in the scene.
Davy reviews his “staff” in their new costumes to prep for gramps. He takes to his rich kid roll a little too well, getting annoyed with the other boy’s antics. Davy is seriously hoping he’ll look convincing as a successful star. The storyline relates to the overall theme of the Monkees quest for success, though this time it’s just the appearance of success to keep an older adult from worrying.
At the airport, pretend chauffeur Micky repeats his nasal doorman voice from “Monkee See, Monkee Die.” Davy picks up his grandfather while Mike and Peter work to make Davy look famous. Mike plays various autograph seekers and Peter takes pictures for the “press.” Cecil Cabot from “Royal Flush” is back and she approaches him for an autograph when she sees all the fuss. Davy thinks she’s Mike in disguise and kids around with her. The fact that Mike is about a foot taller than Cecil Cabot didn’t really clue him in to his mistake.
Mike and Peter play chef and houseboy roles while Grandfather and Davy have dinner at the house. They don’t have money for two fancy meals. Davy has plastic/rubber food, and the film rewinds to emphasize him bouncing it off the table. Davy complains that he’s hungry enough to eat a horse and we’re treated to a flash to future episode “Don’t Look a Gift Horse in the Mouth” with the boys pulling a horse through the house. It’s all over when the various victims of the Monkees theft show up wanting their stuff. Grandpa catches on quick, and Davy is busted. To make matters worse, the lights go off because they didn’t pay the electric. Grandfather tells Davy to pack for England.
This is one of the rare times on the series where we see an older adult on the show taking care of the young Monkees or having their best interests at heart. In previous episodes the boys were on their own, facing older adults who wanted to destroy them or at least take advantage of them. This time the grandfather, though we certainly don’t want him to break up the Monkees, has his heart in the right place. There’s some nice acting on Davy Jones and Ben Wright’s part where Davy is sorry for lying and compliant about leaving with him. The music score is noticeably more serious here. Mike isn’t having it though, and tells Grandfather he’s only taking Davy because he misses him and needs him around. Grandpa won’t own up to this. For those of us living far from our parents, I think we’ve all been here. The older generation can’t understand why the younger ones aren’t living the way they want them to live. It doesn’t change when you’re out of your 20s either. The generation gap that’s represented here is something that resonates today.
Davy walks around with pretty hair and sad eyes as the song “I Want to Be Free” (Tommy Boyce & Bobby Hart) plays, and there’s footage of the Monkees playing with the kids that was used in “Monkee Vs. Machine” and other footage “memories” of them hanging out. Emotional scenes are not really what this show does best, but you have to have serious or touching moments sometimes in order for the comedy to have impact. Davy says a sad goodbye to the other Monkees and Peter gives him a parachute just in case Grandfather changes his mind on the way over. Aww…Peter. Peter is the only one he hugs. I guess the others are too manly. Looking at this now, it has an especially poignant feeling with David Jones’ sad death in 2012.
The three orphaned Monkees cry comically for a few seconds and then Mike gets it together and tells the other Monkees and the audience they’re going to stop Davy from getting on the plane. Of course they are; they’re off to create havoc!
Now we get the scenes of airport mayhem, and watching it in this new millennium, it’s hard not to think about how much they’d be suspected of terrorism. On the other hand, I’d be disappointed if they did anything less.
Micky sets up a fake baggage claim for Gramps, and busts out a British twit voice while messing up his suitcase and directing him to the wrong gate. Peter freaks out Grandpa with an Icarus/Daedalus impression, running around with fake wings screaming “don’t fly!” Mike arrives driving an airport golf-cart and pretends to take Grandpa to his flight. He drives around chaotically, terrorizing and nearly running over other travelers. Meanwhile, Davy waits and wonders what’s keeping his grandfather. Really? I think he knows his buddies better than that.
Grandfather Jones is smarter than most of the opponents they’ve tried to fool thus far. Even quicker than Daggart, he has the wit to see through their disguises. Their insane behavior convinces him that Davy has good friends that really care about him, and he lets him stay. In the meantime, he’s picked up the Cecil Cabot character and he’s taking her to England. Well, I guess “fast-mover” is a trait that runs in the Jones family!
In the tag sequence, the Monkees sit at the same park from “Your Friendly Neighborhood Kidnappers” and “The Spy Who Came in from the Cool.” Micky realizes they could have tried actually playing music to impress Davy’s grandfather. This launches a video for “Sweet Young Thing” (Michael Nesmith, Gerry Goffin and Carole King) where some senior citizens dance and frolic with the Monkees. Toward the end there’s a weird bit where the seniors chase them around with cards in their hands, maybe BINGO cards. Mixed in are shots of the Monkees playing instruments with close-ups of Mike looking slightly sweaty and very attractive.
The episode ran short again and they fill time with another interview segment. This one appropriately features Davy talking about going home to visit his family. It’s a cute story about his father thinking his hair is too long and making him get his haircut twice before letting him into the house. Davy says he bought a house to give his father in Davy’s own name so that can’t happen again.
Speaking of long hair, in the documentary We Love the Monkees (2012) Micky notes that the television network at the time must have been nervous about putting The Monkees on TV because “the only time you saw long-haired kids on television, they were being arrested.” Growing up in the 70s and 80s, some men and boys had long hair and no one thought twice about it. It’s hard to imagine long hair being associated with a criminal element. But, in the episodes I’ve written about so far they’ve done a few insane things that could’ve gotten them arrested. Just for fun, here’s the rap sheet:
by Bronwyn Knox
Every couple of weeks, “Monkees vs. Macheen” examines the crazy, spirited, Ben Franks-type world of the Pre-Fab Four: David Jones, Micky Dolenz, Michael Nesmith, and Peter Tork alias The Monkees.